Alex Moscoso Española, Excess Baggage (Migrant Black Number 1), 2010, acrylic on used clothing, twine, and used Balikbayan box containing the artist’s personal effects and other objects of value. In the long term, all physical artworks will be decommissioned and dematerialized at a yet undisclosed site/s. Archival digitization of artworks and its virtualization onto cyberspace is seen as the end stage in the cycle of transmaterializing art. In general, this project is geared towards the exploration of methods of decoupling from present systems.
Alex Moscoso Española, Excess Baggage (Migrant White Number 1), 2010, acrylic on used clothing, twine, and used Balikbayan box containing the artist’s personal effects and other objects of value. In the long term, all physical artworks will be decommissioned and dematerialized at a yet undisclosed site/s. Archival digitization of artworks and its virtualization onto cyberspace is seen as the end stage in the cycle of transmaterializing art. In general, this project is geared towards the exploration of methods of decoupling from present systems.
Alex Moscoso Española, Death of Birth: Henri de Toulouse Lautrec 24 Nov 1864-9 Sept 1901 (Mr. Tulo Unano & 2 Filipina Artists Drinking San Miguel Beer), 2010, acrylic on paper, 8.5x11in.
Alex Moscoso Española, Death of Birth: Diego Rivera 8 Dec 1886-24 Nov 1957 (Diego & Two Filipina Artists Posing in a Manila Gallery), 2010, acrylic on paper, 8.5x11in.
Alex Moscoso Española, Excess Baggage (Migrant Blue Number 2), 2010, acrylic on used clothing, twine, and cardboard box containing the artist’s personal effects and other objects of value. In the long term, all physical artworks will be decommissioned and dematerialized at a yet undisclosed site/s. Archival digitization of artworks and its virtualization onto cyberspace is seen as the end stage in the cycle of transmaterializing art. In general, this project is geared towards the exploration of methods of decoupling from present systems.
Alex Moscoso Española, Excess Baggage (Migrant Yellow Number 2), 2010, acrylic on used clothing, twine, and plastic crate containing the artist’s personal effects and other objects of value. In the long term, all physical artworks will be decommissioned and dematerialized at a yet undisclosed site/s. Archival digitization of artworks and its virtualization onto cyberspace is seen as the end stage in the cycle of transmaterializing art. In general, this project is geared towards the exploration of methods of decoupling from present systems.
Alex Moscoso Española, Excess Baggage (Migrant White Number 2), 2010, acrylic on used clothing, twine, and used cardboard box containing the artist’s personal effects and other objects of value. In the long term, all physical artworks will be decommissioned and dematerialized at a yet undisclosed site/s. Archival digitization of artworks and its virtualization onto cyberspace is seen as the end stage in the cycle of transmaterializing art. In general, this project is geared towards the exploration of methods of decoupling from present systems.
