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Tag Archives: Taxman Cometh
22 November 2010: Manuel Ocampo, Selected Paintings & Interview
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Posted in painting
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Tagged A Countervailing Impulse Against A Prevalent Fraudulent Norm, A Painting For A Proposed Monument To Art's Triumph Over Reality, A Painting For A Proposed Sculpture For A Monument To A Crucified Minimalist Sculpture, A Sublime Corporeal Narrative Concerning A Liberated But Acrimonious Gas, alex moscoso espanola, An Altar To Aesthetic Misfortune, An Arcane Recipe Involving Ingredients Cannibalized From The Reliquaries Of A Profane Illumination, An Unspeakable Content In The Pictureless Picture, art blog asia, art blog davao, art blog mindanao, art blog philippines, Barney Newman or Barney The Dinosaur, Cowgirl, daily practice, Department of Kitsch Recovery Pogrom, Dept of Avant-Garde Cliches, Dog and Bunny, Dolor de Muelas, Explorer from Outer Space, farticulate, fear of a kitsch existence, Fear Of A Kitsch Existence Or Ornemental Despair Or Portrait Of Elvis, Green Guy In Toilet, Guided by Sausage, igan d bayan, Karl Marx Ejaculating, Macho Forever, manuel ocampo, Poor Man’s Schnabel, Poor Man’s Schnabel : Bread + Drumstick, Poor Man’s Schnabel : Crucified Dishwasher, Sign for the Highest Product if Distraught Bourgeois Self Consciousness Abstracted, Space, Taxman Cometh, The Aesthetizisation of Desublimated Fantasies Rendered Impotent By Unredeemable Gestures, The Curse of Identity Aesthetics as A Career Move, Theoretical Mermaid, We Lived In Hope Of Chance Handling Us A Great Picture On A Plate, www.artnet.com, www.nosbaumreding.lu, www.uplandsgallery.com
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